Erik Moe: Critic at Large

Two strong films about desperation amid tough times in Eastern Europe. The bleakness of the former is haunting even as it verges on becoming a crime thriller. Import/Export paints a much seedier, grittier portrait. Much (all?) of the interior scenes are filmed in static/unmoving camera shots reminiscent of the recently released 1975 classic Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles.

The Seagull = Fine
Screened as part of the National Gallery of Art’s “Celebrating Chekhov on the Russian Screen” series. The best parts were the subtitled translations of Russian insults. I’m still waiting for an opportunity to call someone a “Bourgeois Kievian.”

Encounters at the End of the World = recommended
Werner Herzog’s documentary about Antarctica focuses on the people who live there: scientists, adventurers, wandering philosophers. A nice detour touching on some of Herzog’s old man vs. nature themes. The shots of strange ocean creatures living deep under the Antarctic ice are amazing.

New World Order = highly not recommended
Clearly at least one of the “best documentaries of the decade” lists I added to my Netflix queue was a mistake of enormous magnitude.