Erik Moe: Critic at Large

I’m happy to report that with The Fantastic Mr. Fox Wes Anderson seems to have turned things around. The chart above is probably a bit unfair, but his films have definitely had diminishing returns for me over time. I’ve always loved the aesthetic of his films, but I’ve been less and less patient with his stilted characters, relationships, and plots. Animation is a great match for his his visual language, and adapting Roald Dahl’s children’s book gives him a simple enough story to tell that falls in line nicely with the families and teams-on-a-mission he’s chronicled from the start.