Erik Moe: Critic at Large

Movie posters for Food Inc, Fresh, King Corn, and Julie and Julia

I’m not going to defend Nora Ephron’s Julie & Julia as Oscar-worthy when that season comes around, but I think it has an important lesson for Documentary filmmakers. Watching it made me a lot more excited about eating good food than any food-policy documentary I’ve seen. I’m thinking specifically of Robert Kenner’s Food, Inc., Ana Sofia Joanes’ Fresh, and Aaron Woolf’s King Corn. With various degrees of success, each aims to educate Americans on the ills of industrial agriculture by weaving a storyline or four around an interview with Michael Pollan.

Julie & Julia does not mention corn subsidies or perhaps even the word organic. It simply tells two true stories about people who love food. It makes you want to go home and cook something wonderful in your kitchen. This is the radical action that the food docs (and Michael Pollan) aim to accomplish. If you get excited about cooking, it won’t be long before you start seeking out fresh vegetables at your local farmers market and learning about evil corn lobbyists.

Cinema (especially activist nonfiction) succeeds when it remains focused on showing through storytelling.